 The kethuk is a single kettle-gong of  definite pitch (the kethuk of the  Kyai Telaga Rukmi ensemble is a pitch 2;  see pages about the Javanese scales and  cipher notation for more information.) It is played  in one of two ways depending upon the  irama  (speed) of the piece. In a fast irama the  musician strikes the button or knob of the instrument without letting the stick  rebound or the note ring. The sound of the  kethuk is a dry "Thuk"  (the name of the instrument mirrors its sound). In a slower  irama the  kethuk is played in a kind of  "dribbling" pattern somewhat like  "Thuk   thuk  thuk thuk thuk".
The kethuk is a single kettle-gong of  definite pitch (the kethuk of the  Kyai Telaga Rukmi ensemble is a pitch 2;  see pages about the Javanese scales and  cipher notation for more information.) It is played  in one of two ways depending upon the  irama  (speed) of the piece. In a fast irama the  musician strikes the button or knob of the instrument without letting the stick  rebound or the note ring. The sound of the  kethuk is a dry "Thuk"  (the name of the instrument mirrors its sound). In a slower  irama the  kethuk is played in a kind of  "dribbling" pattern somewhat like  "Thuk   thuk  thuk thuk thuk".KEMPYANG

The kempyang consists of two kettle-gongs of higher pitch than that of the kethuk. Either one or both kempyang kettles may be stuck and allowed to ring with a "Pyang" sound. The two kettles are pitched about a note apart, so it can be a very disonant sound when they are struck together.
 
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